2195 – The Evangelistria

Trypiti harbour

Not only Ouranoupolis has a live webcam but also the harbour of Trypiti, situated at the end of Xerxes Canal. Today many trucks and vans are wating for the Evangelistria, a special boat to Athos for trucks and vans with materials, supplies and wood on the way back.

the ferry from Ammouliani

Before the Evangelistria arrives the ferry from the Island of Ammouliani moors the harbour. Most of the waiting trucks and vans will not cross with the ferry to the island because their destination is Athos.

The Evangelistria is arriving

Then the boat to Athos arrives. The trailer, last in line, carries a large roler for flattening asphalt. For me a bad sign, for I am against more roads on the peninsula. But maybe they will use the roler for the recovery of the road to Karyes. This road, the first road on Mt Athos made in 1963, was badly damaged due to landslides in 2020.

The last truck

When the last truck, with a large part of a crane, boards the Evangelistria the Ammouliani ferry is already returning from the island. It is astonishing how they get all these vehicles in one boat.

The Evangelestria is leaving

The truck has left the ferry and the Evangelistria is sailing for Athos. It will take the boat approximately 2 -2,5 hours to go to Dafni, first passing Ouranoupolis.

Almost out of sight
The Evangelistria in Dafni

More live “action” on the Trypiti webcam.

Herman Voogd

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2194 – Grigoriou monastery: a closer look and ‘crushing’ the olives

Let’s resume the post about Grigoriou monastery, that I visited on the 2nd of October 2019. I started in post 2156 in Juli last year by showing pictures of the trapeza. Today we will continue, starting in the second courtyard, at the entrance and stairs that lead to the guesthouse/arcontariki – Z1 and near B1 on the floor plan of the monastery below.

Plan of Grigoriou – from Mylonas 2000
The second courtyard with the stairs to the archondariki and the katholicon

Next to the half-round stairs that lead to the arcondariki is the bell-tower, A-1 on the plan.

The archondariki and on the right the bell-tower

In the second courtyard we saw boxes and barrels full with fresly harvested olives. Later that evening we found out where this was for.

The second courtyard: green olives in salt water and boxes
The second courtyard: the olives on a long table and wooden hammers (!?)

Later that evening: together with other pilgrims and monk we were invited to help “crushing” the green olives and pun them in salt water: there was an elated and cheerful mood while monks and pilgrims were working together at the long table.

The door to Ag. Grigorios chapel- look at the two clocks on the right wall with different times (7.45 h. Athos time and 15.35 h. Greek time)
Ag. Grigorios chapel with five fine mosaics

Next to the main church is small chapel, called dedicated to saint Grigorios (α on the plan)

The exo-narthex of the katholicon, with one main entrance in the middle and two small doors at the right and left side.

The dome of the exo-narthex with chandelier with real candles

Exo-narthex: the right site door with a painting of ag. Nicolaos above it, two female Saints and Ag. Grigorios on the right.

Exo-narthex: between the right door and the main door: archangel Michael and king David and Jesaja above.

exo-narthex: the ain door with inlaid wood/the dubble headed eagles, with a painting of the Panaghia and the child Jesus above it.

exo-narthex: left from the main entrance of the katholicon- archangel Gabriel with Izechiel and Solomon above.

Exo-narthex: above the left door- Ag. Grigorios presenting the katholicon with Simeon in the left corner Saint Simeon of the pillar.

On one of the walls in the exo-narthes: an icon of Ag. Barnabas and Ag. Paulos, also presenting a church.

This is the door leading out of the exo-nartex to other rooms and the phiale (B1 on the plan above).

Wim Voogd, 9/2

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2193 – Lockdown Athos extended until February 28 2021

Ouranoupolis harbour today, to strong southern winds for boats

The monastic community of Mount Athos announced on Friday it will extend a ban on visitors or pilgrims until February 28, as part of measures against the coronavirus pandemic.

Additionally, staff or other essential visitors will be tested for the coronavirus at all entry ports to Mt. Athos.

The community has remained closed to visitors since November 10, 2020, while Greece is currently observing a nationwide lockdown since November 7.
(source: Ekathimerini)

It will take some time before arriving in Dafni again

Watch the harbour on the live webcam.

Herman Voogd

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2192 – Trees on Mount Athos by Bas Kamps

Vatopedi, Camelia

Athosweblogger Bas Kamps photographed not only several trees when he visited Mount Athos but also back in The Netherlands trees is often his topic. He recently made a website with his photography.

tree with cross, Nilos chapel

Nilos chapel is located on the south slope of the mountain. Through the branches the path to Kavsokalivia is visible.

Judas tree in Karyes.

The purple flowers of the Judas tree above the roofs of the Karyes houses.

cypress in front of the protaton

Cypresses on Mt. Athos are indicating that habitation is not far away. This is the central spot of the peninsula, with the Protaton church, the belltower and the building with the stairs of the Epistasis.

tree near Koutloumousiou

As in the previous image, it was a foggy day in Karyes in 2019. This is near the monastery of Koutloumousiou.

Olive trees on the terraces of Paulou

Take a look at the new website of Bas Kamps (in Dutch) with trees in landscapes, in cities, with water and the rest of the Holy Mountain trees.

Herman Voogd

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2191 – A strange, deserted building at the harbour of Simonos Petras

The first thing you see when you arrive by boat at the arsanas (harbour) of Simonos Petras is the mediaeval tower with a boathouse attached to it. The path towards the monastery, 300 meters up, starts just behind the boathouse.

Villa on the right

Right from the path there is – for Athonian standards – an atypical building. It looks a bit like a Mediterranean villa from the fifties, with a veranda and porches. This is how it looked like in 2013.
In 2019 we had to wait for the ferry for quite a long time. It was time well spent by wondering around the arsanas.

The boathouse had been restored between 2013 and 2019. There is a clear difference in the thick layers of grout they added. But the villa was still left to the elements. It was still as deserted as in 2011 and the situation has not been improved. I decided to take a closer look.

It is a peculiar building with its pink walls and yellow ceiling. Iron is used as a material for the windows, the door and the fence. The plaster is coming down from the ceiling.

One of the main columns completely stopped supporting the ceiling. There seems to be a serious problem with concrete rot, probably caused by rusting iron. A grape, unaware of it all, is finding its way up via the iron fence.

A closer look at the ceiling. The missing pillar could become a problem for the structure, in due time it might collapse, for instance caused by another earthquake, which are frequent in the eastern Mediterranean.

Shoots of grape try to find their way on the crumbling terrazzo floor and through the rusting fencing.

This kitten was the only living creature around the house. The open bricks show how relatively new this building is. Has anyone an idea about the history of the building and inhabitants? Was it perhaps a kind of administrative building, an office or a shop for religious souvenirs?

Bas Kamps

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2190 – Markos Kampanis: new artwork

Vatopedi mural, 2013, 220 x 300 cm

Greek artist, Markos Kampanis who made the large mural at the entrance of Vatopedi monastery have made two new paintings on wood for the new building of the (non-religious) Administration of Mount Athos in Karyes. The artworks will be placed this year.

Athos, 2020

A complete, detailed view of the peninsula by Kampanis in the style of the traditional prints that are made of Agion Oros.

Konakis in Karyes with on the right the building of the Epistasia, 2020

detail Konakis, Karyes, 2020

Each monastery has a delegation house in the capital Karyes, called konakis. Here the 20 konakis with in the middle the Protaton church and tower.

The new Administration of Mt. Athos building

More works by Kampanis on his site.

Herman Voogd

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2189 – Flowers; nothing but flowers

­­­­We left Simonos Petras early in the morning to take the ferry. We had plenty of time. We only had to walk down the wonderful path 300 meters to the arsanas. I decided to take pictures of all the spring flowers I saw during the stroll. All the flowers was a bit overambitious, I found out soon enough, but I managed to take plenty of detailed close-up pictures. I will show most of them in this blog. I’m not an expert on the flora, and certainly not on the Greek flora, but I tried to find out the Latin and English names of the flowers. If anyone has a better suggestion, please let me know. Anyway, for me, the wonder about the variety of shapes and colours is the most important aspect. On this path the garden of Mary can be venerated.


tassel hyacinth (muscari comosum)

wild raddish

Wild Raddish (Raphanus raphanistrum)

large Venus’s-looking-glass

large Venus’s-looking-glass (legousia speculum-veneris)

judas tree

An blossoming tree, probably a Judas tree (Cercis siliquastrum).

Oriental Salsify

A yellow solitary flower called an Oriental Salsify (tragopogon pratensis subsp. Orientalis)

Common mallow

Common mallow (Malva sylvestris)

Iris from Flora Graeca

Iris (Iris Germanica). And a screenshot taken from an iris taken out of the Flora Graeca by John Sibthorp (1758-1796). The Flora Graeca consists of ten volumes that were published between 1806-1840.


Petunia (Petunia spec. )

Bas Kamps

Bas, camera on his shoulder, walking to the arsanas of Simonas Petras by HV

Herman Voogd

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2188 – the Dutch photographer Cas Oorthuys and Athos in 1957- 5

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam: contact sheet nr 5

This post is the last in a series of five, with an overview of the pictures Cas Oorthuys made during his short visit to the Holy Mountain in July 1957. The source of the more than 800 copies of his photographs is from the Nederlands fotomuseum in Rotterdam (source). The photographer and his fellow pilgrim A. den Doolaard spend their last night in the russian monastery Panteleimonos.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

The main church – katholicon – of Panteleimonos in 1957.

The katholicon of Panteleimonos in 2017 photo Wim Voogd
source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

The arsanas of Panteleimonos, in those days sailing ships were still moored.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

This large building outside the monastery walls, is the archondariki. Here the building is still intact. A few years later the left part of building was destroyed by fire: only the outher walls remained.

Panteleimonos in 1986 – most of the archondariki is in ruins (photo Wim Voogd)
source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Arsanas Panteleimonos

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

The archondariki and the monastery Panteleimonos

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Arsanas Sografou: one of the most pitoreque places on the Holy Mountain. Next to boathouse is a traditional defense tower, which has the appearance of medieval times when pirats and crusaders made the peninsula unsafe.

arsanas Sografou in 2007 – photo Wim Voogd

Even though renovation work has taken place in 2007, the location kept its original atmosphere.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Ouranopolis (called Prosphori in 1957): The pyrgos tower of Joice and Sydney Loch. Sydney Loch died a three years earlier , on the 6th of February 1954, when trying to save a pelican in a winter storm. His book “Athos The Holy Mountain” was published in 1957.

Ouranopolis in 1980 with Pieter Voorn – photo Wim Voogd

At that time in 1980 Joice Loch still lived in the tower. She died in 1982. Renovation work is underway.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

The jetty of Ouranopolis: boys swimming

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

The beach seen from the jetty in Ouranopolis: a group welcomes the returning pilgrims, at that time probably still a special feature.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Kids on the beach in front of the pyrgos tower.

The tower in 2017 – photo Wim Voogd

The pilgrims in the bus to Ierissos/Stratoni. Cas Oorthuys and A. den Doolaard did not stay in Ouranopolis, probably because there were no hotels in town in 1957. They went back to Ierissos and enjoyed a good meal and a good night sleep!

Ouranopolis main street along the beach – photo of unknown date

This ends the publication of a small part of the Cas Oorthuys collection from the Dutch Photo museum. I know that much more content is available and I hope to get permission the share the other photos with you somewhere in the near future.

The writer A. den Doolaard ended his musings on Athos as follows at the end of his book “Greeks are no gods”:

“Orthodox monasticism was a tough, old body in which the red blood cells no longer renewed.”

The answer to these thoughts from the Dutch writer by the guide Asterios was: “Do not forget that the monasteries have been here for a thousand years and during that time there have been more periods of decline.” “I’ve been coming to Athos for so long,” he laughed, “that I’ve been infected with it. Ten thousand monks or two thousand, does that make any real difference? Can you foresee what will happen after the year 2000 “?

Profetical words indeed! Asterios made a prediction that has almost completely come true. Athos has regained its appeal and is once again a powerful source of inspiration for so many.

We would like to thank all our readers for visiting our website this difficult year 2020. We are proud to have almost 107 K hits and 31 K visitors this year. As many others we had to postpone our planned 2020-pilgrimage and we hope that 2021 will bring better times for all of you. Stay safe and be friendly to everyone, regardless, race, color, gender, religion or conviction.

Wim Voogd, 31 December 2020 (also on behalf of Herman Voogd and Bas Kamps)

NB. For those who read Dutch texts: in the attachments below you will find three articles from the newspaper “Limburgsch Dagblad” from July and August 1957, where A. den Doolaard writes about his pilgrimage to Athos. The texts are from his book “Greeks are not gods” that was published in 1959.

Posted in 09 Sografou, 19 Panteleimonos, arsanas, art, Ouranoupolis | Tagged , , , , , , , | 2 Comments

2187 – the Dutch photographer Cas Oorthuys and Athos in 1957-4

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam: contact sheet nr 4

Originally Cas Oorthuys and A. den Doolaard planned to stay five days on the Holy Mountain. They wanted to stay a night over in Vatopedi, but because they arrived by boat from Ierissos they did not posses a Diamoniterion yet, so the abbot told them to move on and go to Karyes first, to collect the needed passport, the ‘permit to stay at monasteries’. Their hike to Karyes was not easy, because there was a heat wave with tempatures in the shadow of 45C. After they recieved their Diamoniterions they stayed the night in Karyes, I presume in the local hotel above the restaurant. In his book “Greeks are no gods” A. den Doolaard describes how they went to visit Koutloumousiou the next day, the monastery very near Karyes. But Cas Oorthuys does not have any photos of this monastery in his collection. I think A. den Doolaard mixed this monastery up with Xeropotamou, the monastery on the other side of the ridge of Karyes, near Dafni. Cas Oorthuys has photos of this monastery in his contact sheets (and also from Dafni). Later that day they took a boat from Dafni to Dionysiou, passing Simonos Petras and Grigoriou monasteries. The second night they slept in Dionysiou. The following day they took a boat back along the West coast of Athos, passing the monastire mentioned above and Dafni, ending up in Panteleimonos, where they slept the third night. The last day they took a boat passing Xenofontos and Docheiariou (see post 2186). The boat stopped at the tower of Sidney Loch at Phosfori, now Ouranopolis. From here they went back to Ierissos and enjoyed a good Greek meal.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

The courtyard of Panteleimonos monastery (or Rossikó). On the right the Katholicon, left the bell tower and the phiale.

Panteleomonos: the katholicon, belfry and East wing 2017 – photo Jitze Bakker
source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

The small church/chapel and the katholicon with two palm trees.

Panteleimonos 1980 – photo Wim Voogd

Almost the same spot in 1980: parts of the monastery were distroyed by fire.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Monks visiting Panteleimonos monastery with a group of pilgrims. A. den Doolaard discribes in his book that the “three dozen” monks, who lived here in 1957, were very old men. When I visited the monastery only 20 Russian (and a few Greek) monks survived….

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam
Panteleimonos 2009

The same spot in 2009. The monastery was almost completly renovated and rebuild that year, no ruins remained, except for some buildings outside the walls of the monastery. On the top floor the Dubble church is situated, where Cas Oorthuys also made pictures (not (yet) avialable for me).

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam
source: Cas Oorthuys / Nederlands fotomuseum Rotterdam – detail of the picture

According to me this is one of the most iconic photographs Cas Oorthuys made on Athos. The old monk in the trapeza of Panteleimonos symbolizes the sad situation in which they were. His eyes stare into nothing and clearly show the hopeless situation of that moment in time.

A. den Doolaard says in his book about the scene:

‘The meal was as simple as it was stylish, yet it doesn’t charm my heart; for all over Rossikó lay the melancholy of dying. The monastery was cut off from the tribal land, no novice passed through the gate, and the old monks died one by one’.

Two original photos from Cas Oorthuys of this dinner in the trapeza hang on a wall of my favorite Greek traiteur in Amsterdam, Romios. The (former) owner Marijke went to school with a daughter of Cas Oorthuys in Rotterdam and she got these originals as a gift.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

more pictures of monks eating dinner in the trapeza of Panteleimonos.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

This original also hangs on the wall in restaurant Romios, Ceintuurbaan 350 in Amsterdam.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam
source: Cas Oorthuys / Nederlands fotomuseum Rotterdam
source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

An earthenware jug on the quay of arsanas Panteleimonos.

Wim Voogd, 30 December 2020

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2186 – the Dutch photographer Cas Oorthuys and Athos in 1957-3

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam: contact print nr 3

The third contact print from the Cas Oorthuys files in the Dutch photo museum contains pictures of Simonos Petras and Docheiariou. He did not visit these monasteries, because photographs up close are missing. And on this contact print number 99027 I run into a chronological problem. The two monasteries are in fact far apart and between the monastery are the harbor town of Dafni, Xenofontos and the Russian monastery Panteleimonos situated. Cas Oorthuys did pay a visit to this Russian monastery, as we will see on the next contact print, that I will publish later. I suspect that Cas Oorthuys confused his travel schedule afterwards and that he accidentally pasted Docheiariou into his contact printout earlier.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Simonos Petras monastery, seen from the arsanas – harbor. This probably one of the finest monasteries on the Holy Mountain, that looms over the rocks on which it is built. Many people say this monastery resambles the Tibetian monasteries in the Himalaya.

Simonos Petras in 2009. The building on the right is recently constructed, it is part of the archondariki and contains the rooms for special guests – photos Wim Voogd
source: Cas Oorthuys / Nederlands fotomuseum Rotterdam
Simonos Petras arsanas 2015 – foto Wim Voogd

The arsanas of Simonos Petras in 1957 and – by coincidence – my photo on the same spot, 58 years later.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Simonos Petras

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

The monastery of Docheiariou, seen from a boat. This is the last monastery that you will see from the baot before arriving in Ouranopolis. As you can see on the map below it is very far from Simonos Petras.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Docheiariou monastery in 1957.

Docheiariou in 1980 – photo Wim Voogd

When we visited this monastery in 1980 we were the only two pilgrims. We met a professor from Thessaloniki, who microfilmed the books from the library and gave us a tour in the old tower. I remember the age-old parchment covers and the pages that had tiny holes, made by the bookworms. One of the bound pages would be a page from a 4th century book.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Four fishermen in their boat at the harbor of Docheiariou, one of them drinking water from a bucket.

source: Cas Oorthuys / Nederlands fotomuseum Rotterdam

Docheiariou: another photo of the fishermen in their boat and the jetty.

Wim Voogd, 29 December 2020

Posted in 10 Docheiariou, 13 Simonos Petras, art, Uncategorized | Tagged , , , | Leave a comment